UPDATE — SEPTEMBER 22, 2026

Something extraordinary has happened since I first launched this campaign.

Someone who loves me was already in the market for an investment opportunity.

And in one of those strange intersections of timing, love, practicality, and possibility, he purchased a property here in Venice that will also give my daughter and me a stable place to live.

We move in on October 9th.

It is beautiful.

It is on the water.

It means Quayde gets to remain in the community she loves, in the school where she is thriving, surrounded by her friends, activities, soccer, and the life we have built here.

It is an extraordinary gift of stability, and I do not take one inch of it for granted.

But there is another fact.

As I write this, I have approximately $100 in my bank account. Total.

And this may be the most Yellow Vase thing that could possibly have happened.

Two spectacularly different truths can exist at exactly the same time.

I can have a beautiful home waiting for us and still not have enough financial stability for groceries, gas, ordinary bills, moving expenses, and the basic costs of getting from September 22nd to October 9th.

I can be surrounded by enormous love and still need money.

I can be profoundly supported and still need sustainable income.

I can have twenty-five years of experience in marketing, branding, communications, storytelling, writing, strategy, creative direction, web, social, events, and public relations—and still be applying for jobs, pursuing contract work, and looking for fractional CMO opportunities.

I can have written books, created original intellectual property, built communities, trained practitioners, taught thousands of people, and created work that has reached tens of thousands more—

and still have $100.

That is not ingratitude.

It is information.

And one of the strangest things I have noticed is how quickly people decide, from the outside, when someone else’s struggle must be over.

A beautiful house appears in the story and suddenly it looks like the ending.

But it isn’t my house.

It is a generous investment made by someone I love, one that happens to create stability for us at a moment when we desperately needed it.

It solves an enormous problem.

It does not create an income.

Both things are true.

Nearly $4,000 has already come through this campaign, and I also want to address that directly because I realize someone arriving here may reasonably look at that total and assume the money is still sitting somewhere waiting to fund the book.

It isn’t.

That money has already been used for exactly what it was needed for: housing, food, gas, bills, debt pressure, and the very ordinary cost of keeping life moving while I continued writing this book, teaching, applying for work, rebuilding my business model, and trying to create sustainable income.

The support mattered enormously.

It kept us moving.

But support is not the same thing as resolution.

The financial crisis lasted longer than the money did.

And that distinction has become painfully relevant to the book itself.

External circumstances do not arrive in tidy packages labeled SUCCESS or FAILURE.

The home does not mean everything is fixed.

The $100 does not mean everything is ruined.

The generosity of someone who loves me does not mean I no longer need to support myself.

My current bank balance does not erase the extraordinary abundance already present in my life.

One fact does not invalidate the other.

So this campaign remains active.

I am still completing The Yellow Vase.

I am actively applying for work.

I am looking for fractional CMO projects, marketing and branding contracts, creative-direction work, writing, strategy, consulting, and other ways to put twenty-five years of experience to work.

I am building the 30-Day Timeline Jumping Challenge.

I am continuing to teach.

I am continuing to create.

And yes, I am still asking for help.

Not because I expect one person to rescue me.

Because I have finally stopped believing that needing help means I have nothing to offer.

There are things I can create.

There are things I can sell.

There are things I am exceptionally good at doing.

There are people I have not met yet.

There are rooms I do not know exist.

There are connections I cannot possibly see from where I am standing.

So if you want to read The Yellow Vase, please pre-order it on this site. 

If you know someone who needs a fractional CMO, marketing strategist, brand strategist, creative director, storyteller, writer, or someone who can walk into a complicated body of ideas and make the whole thing clear, compelling, and marketable, please circulate my résumé: https://drive.google.com/file/d/1adHsBA2Fr1zvS_lzbURF0ieRidFKXlje/view 

If my work speaks to you, join the 30-Day Timeline Jumping Challenge: www.TimelineJumping.app 

And if none of those things are for you, sharing this campaign may put it in front of the person for whom one of them is.

I am not asking one person to save me.

I am asking the network to behave like a network.

One reader.

One introduction.

One contract.

One share.

One person who knows someone I do not.

I wish I could tell you this update means the difficult part is over.

It doesn’t.

It means something extraordinary happened inside a story that is still unfolding.

And perhaps that is the point.

Anahata Holly Hallowell

Help Bring The Yellow Vase Into the World

I wish I could tell you how this story ends.

I wish I were writing from the other side - with the rent paid, the debt resolved, the book published, and The Yellow Vase sitting on a bestseller list.

But I’m not.

The plot is not over.

This book is happening in real time.

I did not spend fifteen years trying to write a book.

I spent fifteen years trying to fix my life.

The book is what was left over.

What is The Yellow Vase?

The Yellow Vase is a true story, a philosophical investigation, and an embodied map of transformation.

It follows what happened when I spent fifteen years trying to understand how reality actually works - how people change, why change so often fails to last, what the body has to do with the future we are trying to create, and why being loving, spiritual, talented, hardworking, or “high vibe” does not guarantee that life will reward or protect us.

This is not a traditional success story written after everything worked out.

It is not a book promising that positive thoughts will make painful circumstances disappear.

And it is not simply a memoir, even though my life is the road through which the ideas are discovered.

It is about the private conclusion so many good, intelligent, gifted people eventually reach when their lives do not reflect the effort they have made:

Maybe I am not good enough.

Maybe I am not talented, healed, or spiritual enough.

If I were truly valuable, my life would prove it.

The Yellow Vase dismantles that ruler instead of further shaming the person being measured by it.

It asks a different question:

Who do we choose to become before life gives us proof that the choice will be rewarded?

The life I thought I was building

My story did not begin with a desire to become an author or teacher.

It began with a desire to build a safe, meaningful life for my daughter, Quayde, and to understand why that life kept slipping through my hands.

I once had a successful corporate career. I was capable, ambitious, and convinced that if I worked hard, created value, treated people well, and made responsible choices, life would eventually meet me there.

While rocking my baby to sleep, I conceived an invention and pursued a patent.

Then I was laid off.

The invention was taken by a business partner, and I did not have the financial ability to fight for it.

The future I believed I had built disappeared.

I experienced profound loss, financial instability, and the slow dismantling of the life I expected to live.

I eventually sold my home, left Colorado, and began again in Florida.

I made Quayde a promise: I would find a way to create a life in which I could be present for her - not merely survive beside her.

I did not know how.

So, I began asking larger questions.

How does reality work?

Why do some people change while others repeat the same patterns?

What is consciousness?

What is the relationship between the body, emotion, attention, water, frequency, belief, and the lives we create?

Those questions led to an awakening in 2015, the creation of the Anahata Codes, eight books, dozens of courses and certifications, thousands of students, an international community, and the Alchemical Academy.

From the outside, it looked like I had made it.

The books.

Programs.

Students.

A body of work.

A global audience.

People assumed I was thriving.

For a while, I assumed the same.

But the financial foundation beneath it was far more fragile than anyone knew.

When the old story stopped obeying

As the economy changed, many of the people I served could no longer afford premium programs.

Artificial intelligence and rapid shifts in the coaching and education industries accelerated the collapse of the business model I had relied upon.

I could have protected the old structure by making the work even more expensive and exclusive.

Instead, I closed the Academy and opened an accessible community on SKOOL for $22 per month.

I wanted the work to survive. For people to be able to enter it.

I wanted the mission to remain intact even if the business model did not.

I applied for jobs.

I pursued contract work.

I tried to translate a highly unconventional fifteen-year body of work into résumés and applications that traditional employers could understand.

I was offered a contract position that appeared as though it might become stable income, but it produced only one project.

I borrowed money from people I love.

I reduced expenses.

I kept teaching.

I kept creating.

I kept showing up at sunrise doing my free Timeline Jumping & Fascia Flow Gridwork.

But I’ve reached the end of what I can privately hold together.

For years, I thought I had been studying reality.

In hindsight, reality had been studying me.

Every question produced a life experience.

Every life experience produced a better question.

And at the point of near-collapse, the book finally became clear.

Rock bottom did not give me the truth.

It stripped away everything that was not true.

Beneath the business, the public identity, the accomplishments, the teachings, and the pressure to appear successful, something remained:

My love for my daughter. My faith. My curiosity. My creativity. My willingness to serve.

My refusal to let financial circumstances become a verdict on my worth.

I thought I had reached rock bottom.

I have reached bedrock.

At the same time, the Lucid Rhythm SKOOL community has become a living laboratory.

We gather daily sunrise Timeline Jumps.

We work with breath, water, movement, awareness, emotion, and the living liquid lattice of the fascia.

Fascia Flow Gridwork began to emerge.

The body is no longer treated as a vehicle carrying the mind toward a goal. It became an active participant in transformation.

Then, a few months ago, one of my YouTube videos unexpectedly went viral. It brought thousands of new people to the work - but visibility does not automatically create stability, and views do not pay the bills.

And the question changed again:

What if people are not failing to change?

What if they are succeeding perfectly at remaining organized around yesterday?

The idea that changed everything

Every area of our lives develops a center of gravity.

Our relationships may be organized around fear of abandonment.

Our work may be organized around proving our value.

Our finances may be organized around scarcity.

Our visibility may be organized around protection.

Our families may be organized around obligation.

Those centers generate a circumference of behaviors, reactions, relationships, choices, habits, and circumstances.

Most of us try to rearrange the circumference.

A different job.

A different partner.

A different city.

A different strategy.

A different morning routine.

But somehow, the emotional geometry keeps repeating.

The scenery changes.

The orbit does not.

The deeper conflict is rarely with love, freedom, peace, abundance, visibility, or success themselves.

The conflict is with what those experiences would reorganize.

If struggle has been the center of my identity, who am I when I no longer need to survive?

If people-pleasing has helped me belong, what happens when authenticity becomes more important than approval?

If control protected me from chaos, what happens when I begin living from trust?

This does not mean the old parts of us are bad.

Every protective pattern contains intelligence.

Survival may become resilience.

Scarcity-trained resourcefulness may become stewardship.

People-pleasing may become compassion without self-abandonment.

Control may become discernment or structure.

Struggle may become creative power.

Nothing true is left behind. Everything true comes with you.

Timeline Jumping, as it finally emerged through this story, is not about escaping into another universe.

It is the embodied practice of recognizing what has become the center of gravity in an area of life, consciously choosing another organizing principle, and allowing the body to participate in that reorganization.

Through breath.

Water.

Movement.

Fascia.

Attention.

Relationship.

And one honest choice at a time.

The Law of Attraction that we all learn about and seek to duplicate verbatim is a lie.

We do not become loving, truthful, courageous, or coherent so the universe will reward us. The truth is, it won’t do that.

We become them because they are worthy ways to live now.

That is the philosophical heart of The Yellow Vase.

But the book does not begin with the philosophy.

You have to live through the fifteen years that made the philosophy unavoidable.

Why I am crowdfunding now

I am currently completing this book while carrying significant debt and facing the possibility of losing the life Quayde and I have built in Florida.

She is sixteen and entering one of the most formative years of high school.

She is thriving here - in advanced classes, student government, clubs, competitive soccer, friendships, and a community she loves.

Moving back to Colorado and into my parents’ home would not be a tragedy for me. We are fortunate to have family who love us.

But it would mean uprooting her during her junior year because I can no longer afford to keep us here.

I have done everything I know to do before asking for this level of support.

I built.

I taught.

I adjusted the business model.

I made the work more accessible.

I applied for jobs.

I accepted contract work.

I borrowed.

I cut expenses.

I continued serving while privately trying to solve the financial reality.

I am crowdfunding because I have reached the point where finishing this book, protecting the time required to do it properly, and creating immediate stability cannot happen through private effort alone.

The campaign is not funding a future idea.

200 pages of the book already exist in substantial form. The story has been lived. The philosophy has emerged. The work now is to complete it, prepare it for release, fulfill the supporter copies, and give it the best possible chance to reach the people it was written for.

How the funds will be used

There will be no traditional publishing costs.

I have independently published my previous books through Amazon, and The Yellow Vase will be self-published there as well.

There is no publisher fee, no large required print run, and no need to purchase thousands of books in advance.

The campaign supports four connected stages.

Stabilize

The first priority is immediate stability:

• Housing and essential living expenses
• Food and basic family needs
• Relief from urgent debt pressure
• Protected time to complete the manuscript
• The ability to remain rooted in Florida while the book is finished and released

This is not separate from the project.

The book is being written inside the life the campaign is helping preserve.

Complete and prepare the book

The manuscript still requires the focused work needed to bring a fifteen-year story into its final form:

• Completing the remaining chapters
• Revising and refining the full manuscript
• Editing and proofreading
• Final cover preparation
• Interior formatting for digital and paperback editions
• Preparing the Amazon listing and release materials

I will manage the independent publishing process through Amazon, as I have with my other books.

Fulfill supporter rewards

Signed paperback rewards will be fulfilled through author copies I purchase directly from Amazon and then ship to you.

Campaign funds will help cover:

• The production cost of author copies
• Packaging materials
• Signing and preparing the books
• Order coordination and fulfillment

Shipping is not included in the contribution level.

Shipping costs vary significantly by destination - especially internationally - and will be collected separately before the physical books are mailed. USA Shipping is about $6. International can be as much as $75 depending on how many copies and to where.

Launch and expand the work

Writing and releasing the book is only part of the work.

Funds will also help create the infrastructure required for people to discover it:

• Campaign and launch video production
• Advertising and outreach
• Publicity and media support
• Podcast and interview outreach
• Social content
• Reader previews and excerpts
• Launch events and community engagement
• Distribution beyond my current audience

If the campaign moves beyond the immediate stabilization and book-completion needs, the larger vision includes:

• Continued accessible community programming
• Free or donation-based beach gatherings
• Practitioner development
• Future translations
• Wider distribution
• Resources that make Timeline Jumping and Fascia Flow Gridwork available to more people
• Continued development of the movement surrounding the book

The long-term purpose is larger than one author or one book.

A regulated nervous system ripples.

It changes the emotional atmosphere of a home, a relationship, a classroom, a workplace, and a community.

Personal embodiment becomes collective architecture.

Supporter rewards

Every level of support helps bring this book into existence.

$2 or more

You become part of the campaign and the unfolding story.

There is no contribution too small to matter. Sharing the campaign is also a meaningful form of support.

$22 or more

You will receive the digital edition of The Yellow Vase before its public Amazon release.

This is the primary early-reader level.

$50 or more

You will receive:

• The early digital edition
• One personally signed paperback copy of The Yellow Vase

Shipping is not included and will be collected separately before fulfillment.

$100 or more

You will receive:

• The early digital edition
• Three personally signed paperback copies
• Two months inside the Lucid Rhythm community

Keep the books, give them to people you love, or help place the work into the hands of someone who may need it.

Shipping is not included and will be calculated separately according to the destination and number of books.

You are not being asked to rescue me.

You are being invited to help make sure this book exists.

The heroes of this campaign are the people willing to recognize a body of work before the market has validated it.

The readers who arrive before the polished success story.

The people who understand that some books are not manufactured from an idea.

They are lived.

You are not funding a project I may someday begin.

You are helping complete and release a body of work that has already taken fifteen years of my life to uncover.

Your support creates time.

Stability for my daughter to remain here in the community she loves.

Completion.

Author copies.

Fulfillment.

Reach.

And the possibility that someone who has quietly concluded that their life proves they are not worthy may encounter a different truth.

You may also become part of the final act of the book itself.

The campaign is not happening after the story.

The campaign is part of the story.

I can’t tell you how this ends.

I can’t promise that the campaign will succeed.

I can’t promise that the book will become a bestseller.

Or that external circumstances will validate everything I have discovered.

That would violate the deepest truth of the book.

The ending will not decide whether I was worthy.

It will not determine whether the fifteen years mattered.

It will not decide whether the woman who lived them was valuable, courageous, loving, or true.

What I can do is stop hiding.

I can tell the truth before the truth becomes profitable.

I can ask for support without turning my need into shame.

I can choose courage while the outcome remains uncertain.

I can complete the book that emerged from everything I survived, questioned, created, misunderstood, released, and finally came to understand.

The plot is not over.

The Yellow Vase is happening in real time.

And now, perhaps, you are part of the story too.