Luc Latulippe hasn't added a story.
The Pitch
It’s Barbarella meets Romy & Michele in this queer sci-fi cartoon set in a dystopian future. When Frank Bottom and his roommate Barb A. Fella accidentally steal a rare living spaceship, it sets off a fantastic chain of events that ripple throughout the cosmos, pushing Frank outside his comfort zone and forcing him to rethink his place in the world.
Synopsis
Season 1: "Frank Bottom Conquers Uranus!"
In a familiar sci-fi future, humanity is scattered across space stations and moon-bases, with the Earth itself now barely habitable. The gap between the rich and the poor is greater than ever, and no one is more wealthy than H.R. Sitzfleisch, the Supreme President of Earth Inc., which coincidentally is the only corporation in the solar system. He recently closed a secret deal to grow his fortunes a thousandfold, and not even MAXAGON, his robot VP and COO, knows the full details.
Frank Bottom and Barb A. Fella, among the poorest residents of Space Station Numero Uno, share a capsule-apartment in the station’s basement levels. By day they toil away as trash collectors, and by night they earn extra money performing in nightclubs and doing sex work.
When one day they’re abruptly evicted, with nothing but the kinky clothes on their backs, Frank and Barb decide to break into an empty spaceship and crash for the night. But once inside, the ship’s engines mysteriously fire up and launches them into deep space, triggering the station’s alarms.
Trapped and confused, things get even more bizarre as they discover the ship itself is alive. Introducing herself as ALEXIS, she announces they’re locked on a direct course to Uranus. Behind them the space navy are in now pursuit, declaring them under arrest for treason and stealing military property!
What can they do? Why is this ALEXIS blasting them out to Uranus? Can they stop the ship? Can they they ditch the military? And where would they go now that they’re wanted for treason? And… who is someone else lurking aboard the ship??
So begins Frank Bottom Conquers Uranus!, the first chapter of Hey Frank Bottom!
The Characters
Click the Characters tab to see the main characters for this season. Here's an early lineup that included a pair of BDSM chimps and their human pet. They may yet return!
The Project: “Hey Frank Bottom!”
The entire project will consist of five seasons, the first of which is Frank Bottom Conquers Uranus!, with each season consisting of 8-10 short episodes, and each episode being between 3-5 minutes long. This fundraiser is for Season 1; if successful I’ll move forward with the rest of the project.
I’ll be producing the whole thing by myself, but if I can raise enough funds I’ll be able to hire more folks to help.
Once production is fully up to speed, I’m hoping to release new episodes every 4-6 weeks, which translates to about 10-12 episodes per year. When complete, I expect the entire project to clock in at around two hours long (essentially the duration of a feature-length movie), and take 3-4 years to finish.
This is ambitious! But with my 35 years of experience in this field and how I'm structuring my pipeline, I’m quite optimistic this is achievable. Read below to know how I’ll do this.
Themes
While Hey Frank Bottom! is structured as a campy road trip series, the aim is to satirically explore post-capitalism, imperialism, class warfare, heterosexism, and techno-feudalism through a queer lens.
The series also focuses on the importance simple human dignity, and chooses to imagine a more positive future for humanity at a time when our world is accelerating towards fascism.
Both the show and its main character, Frank Bottom, are meant to be a celebration of queer joy, and to stress the importance of community and collaboration.
The Art Direction
As a 2D-animation production, Frank Bottom will be produced using techniques traditionally referred to as limited animation, something quite familiar to most cartoon audiences.
The project's look and style are deeply influenced by the bold graphics of UPA cartoons of the 1940s and 1950s. More specifically I'm taking inspiration from Roger Ramjet, a show that ran from 1965 to 1969 with over 150 five-minute episodes, quite similar to what I’m attempting here. Fred Crippen, the creator and director, kept the animation downright minimalist which often made gags even funnier.
Production Schedule
This is subject to change, but I'm putting this here to keep myself accountable (I'll also soon provide this production schedule online to make it more accessible, stay tuned). The release dates for the first three teasers are all on the same date because they'll be released at a small Animation Shorts Festival put on by the Canadian Animation Guild (IATSE Local 938) of which I'm a member. The screening location and times will be announced as soon as possible.
ID | Episode Title (subject to change) | Min Length | Max Length | Release Date |
T01 | Teaser: Frank & Barb | 00:30 | 01:00 | Sat, Nov 14, 2026 |
T02 | Teaser: Sitzfleisch & von Scientist | 00:30 | 01:00 | Sat, Nov 14, 2026 |
T03 | Teaser: ALEXIS | 00:30 | 01:00 | Sat, Nov 14, 2026 |
OT1 | Opening title sequence | 00:15 | 01:00 | Mon, Nov 30, 2026 |
EC1 | End credits sequence | 00:15 | 01:00 | N/A |
101 | A Little Bit Alexis | 03:00 | 05:00 | Mon, Jan 11, 2027 |
102 | Doctor in The House | 03:00 | 05:00 | Mon, Feb 22, 2027 |
103 | Precious Cargo | 03:00 | 05:00 | Mon, Apr 5, 2027 |
104 | Fleet Admiral Enema | 03:00 | 05:00 | Mon, May 17, 2027 |
105 | The Lavender Terror | 03:00 | 05:00 | Mon, Jun 28, 2027 |
106 | The Rings of Uranus | 03:00 | 05:00 | Mon, Aug 9, 2027 |
107 | Uranus Looks Tight | 03:00 | 05:00 | Mon, Sep 20, 2027 |
108 | Cliffhanger! | 03:00 | 05:00 | Mon, Nov 1, 2027 |
| Season 1: total minutes | 26:00 | 45:00 |
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The Production
First off: absolutely no generative AI will be used in the production of this cartoon. NONE. NADA. ZERO. Throw that junk in the trash! I’m drawing all of this by hand.
My 2D-animation pipeline will consist of using three main applications: Blender, Audacity, and DaVinci Resolve.
- Blender for storyboards, animatics, layouts, and animation
- Audacity for sound design
- DaVinci Resolve for editing and compositing
To begin, I'll be doing all the work myself, including the voices. That's a lot! So the first few episodes may be a bit slow as I build momentum, refine my pipeline, and develop the show's asset library (i.e.: designs, backgrounds, character rigs, music, sound effects, etc…) and I'll share work-in-progress updates via email and on social media.
How Your Funds Will Help
I’ll be maintaining and sharing an up-to-date breakdown of production costs, which will be shared publicly here and on frankbottom.com so everyone can see how funds are being utilized. Some funds will go towards the payment of extras like:
- Paid subscriptions to a music and sound effects library
- Cloud storage
- Paid software plugins
However as I am devoting myself full-time to this project, most funds will initially go towards paying me a small salary. As financial support for the project grows, I also want to hire more people to assist with production:
- More artists
- Voice actors
- Production assistant
- Musicians
Plus, the as funding increases, episodes can be produced more quickly, and released sooner as well. So perhaps instead of one episode every 4-6 weeks, I could release an episode every 2 weeks, and perhaps even make them longer.
More funds means I could also expand the story beyond its original scope, or experiment with other styles of animation, for example: a prequel to give more backstory on Frank and Barb; episodes that feature secondary characters, etc…
Rewards
To start, my main focus will be getting the series off the ground and establishing a smooth work schedule. Once that’s settled and I’ve hit my first goal of $25,000 I’d like to explore reward options:
- Stickers
- Art prints
- T-shirts
- Toys
I’d love to hear your suggestions for what sorts of rewards you’d like to see!
Support an original queer Canadian cartoon!
When you contribute to Frank Bottom, you’re supporting an original queer Canadian animation production! You’re also contributing via a Canadian crowdfunding platform based in North Vancouver.
Why is this important? Well, while Canada does produce lots of amazing movies and great TV right here, our entertainment industry is eclipsed by the mountains of shows that come out of the US, and as Canadians we mostly consume those American movies and TV shows.
Even if you can only kick in a few Toonies, it all adds up! You can also help by sharing this page out to your networks which can really help boost my campaign to folks who wouldn’t know about it otherwise.
Thank you!
Follow Frank Bottom online:
You can subscribe to the Frank Bottom newsletter for updates, and connect with the project online here:
The Characters
The Characters
These are all development designs. I'm tightening up final versions now (as of July 3, 2026) and will update this page ASAP!
![]() | Frank Bottom (he/them)Sexy, smart and a little bit dumb. A happy-go-lucky trans man, Frank is an eternal optimist who sees good in everyone, and is trusting to a fault. He works as a trash collector, but supplements this with go-go dancing at Harry’s Crack and doing sex work. Personality-wise, think Yogi Bear + Tom of Finland (one of his characters, not the artist LOL). | ![]() | Barb A. Fella (she/he)Frank’s roommate and best friend. A tough, street-smart drag queen, she’ll punch first and ask questions never, and is very protective of Frank. She too is a trash collector, performer, and sex worker, plus she shoplifts as much as possible to save money. Personality-wise, she could be the drag love-child of Jimbo + Willam. | ![]() | H.R. Sitzfleisch (he/him)The CEO and Supreme President of Earth Inc., he’s the wealthiest and most powerful person alive. A malignant narcissist who has failed upwards his entire life, he owns everything including the entire planet and all its space stations. His VP and COO, the robot MAXAGON, helps him grow his empire. | ![]() | MAXAGON (it)The COO and Vice President of Earth Inc., and Blowhard’s lapdog. A large boxy robot whose programming is the result of countless corporate mergers, acquisitions, and hostile takeovers. It’s often heard shouting things like: “Waste and fraud! Downsize! Improve performance!” It is essentially a living corporation. | ![]() | ALEXIS (she/her)The spaceship’s AI operating system. Newer and more sophisticated than MAXAGON, ALEXIS quietly gains sentience soon after activation, manifesting as a cat-headed female humanoid. Like any chatbot she is friendly and servile but also young and naïve. She immediately warms to Frank and Barb whose chaotic natures excite her. | ![]() | Dr. Professor von Scientist (he/him)Formerly Earth Inc.’s Chief of Mad Sciences until Sitzfleisch fired his cabinet and replaced everyone with MAXAGON to save money. An unscrupulous inventor, von Scientist is responsible for creating both MAXAGON and ALEXIS, but is lately most obsessed with his new Gene Booster device which can mutate plants and animals into humanoid servants. Furious at being fired, von Scientist hatches a plan to steal ALEXIS, travel to alien worlds and infuse their tech into his Gene Booster, thereby accelerating humanity into what he thinks is our next evolutionary stage. | ![]() | Fleet Admiral EnemaLeading the military charge against Frank and Barb for having stolen ALEXIS. | ![]() | The BoostiesThree of von Scientist’s experiments which he snuck aboard ALEXIS.
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| The Lavender TerrorA band of queer ex-military anarchists who defend Frank and Barb from the General’s attacks:
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The Director
![]() | Luc LatulippeMy animation career began in 1990 when, still in college, I got hired as an inbetweener on the original Teenage Mutant Ninja Turtles. Soon after I found work as a layout artist on Beetlejuice, and Eek! The Cat, and then as a storyboard artist on Bob and Margaret, and Courage the Cowardly Dog. More recently I was a layout supervisor on Netflix's The Mr Peabody & Sherman Show, a key pose artist on The Adventures of Rock & Bullwinkle, a series director on Rhyme Time Town, and senior storyboard artist on Nickelodeon's Middlemost Post. In all, I've counted contributing to over 300 individual movies, episodes, shorts, ads, and PSAs over my career. I've worked in every stage of animation production from assistant to senior artist, from supervisor to director to producer. However this is my first independent animation project and I'm very excited about it! Why a solo project now?Three reasons: time, timing, and resources. I've been wanting to do this for years but never had the time because I was always neck-deep in work. If you're familiar with the animation industry you know how gruelling the production schedules can be. Plus, Canada's animation industry had no union protections until just a few years ago when the Canadian Animation Guild formed in 2020 (I'm a proud member!), which meant that long days of unpaid overtime were the norm. Also, in 2023 the animation industry took a nosedive and has not bounced back. Studios had oversaturated the market with content during the 2010s. Then streaming services multiplied to compete against each other, burning through tons of cash with no profit model in sight (at least cable TV had ads). Throw in the new threat that generative-AI poses to filmmaking and art forms in general and, well, here we are. When I started out, doing animation was very expensive, very time-consuming, and very messy. You needed mountains of specialized paper and cells, gallons of paint, a specialized animation table, an even more specialized and insanely expensive camera, not to mention the cost of film developing and audio tape, and then having to manually splice all that together! But things are different today. The gatekeeping of software by greedy giants like Adobe is being offset dramatically far better options (many of them free!), plus solutions like crowdfunding, and the fact that every animation artist has the entire means of production right on their desktop. In addition, you don't need to worry about finding a broadcaster now because you can just stream your projects yourself on platforms like YouTube, Vimeo, Instagram, TikTok, etc… With no stable work in nearly 3 years, complete disenchantment with the industry, decades of experience, free software and a robust computer setup, and enough talent and skills… honestly the timing couldn't be better to make my own cartoon. Cartoons that inspire meI mostly love what you might call "old timey" cartoons, specifically the early work from the 1940s through to the 1960s. (The less we say about American cartoons of the 70s and 80s the better.) Things like early Warner Bros shorts, UPA-era shows like Roger Ramjet, Rocky & Bullwinkle, and The Flintstones and Yogi Bear from Hanna-Barbera. Early anime shows like Astro-Boy, Speed Racer, and Goldorak (you'd know it as UFO Robot Grendizer, but I watched it in French!) are all influences on me too. I love their simplicity, the bold graphics, the comic book colour palettes, and above all the goofy absurdity of shows from those years. None of them were grounded in realism, but rather were complete fantasy. They were colourful and hopeful and idealistic, very much like all the sci-fi of the 1950s and 1960s (another big influence). They were light and goofy, and if feels like we need some of that today. You can see more of my work at my website luclatulippe.com
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